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THOUGHT FACTORY: THE MANY HINDUISMS OF SECULAR DEMOCRATIC INDIA

Keeping religion a personal matter and not politicising it is crucial to prevent discrimination, promote social cohesion, and uphold the princi...

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Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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SRK: THE PROLOGUE

Khalid Mohamed spools back to an interview with Shah Rukh Khan on his opening phase of attaining superstardom.

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ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes ...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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David Bowie: An Avid Reader

For a man who left Bromley Technical High School with just one 'O' level (in art), David Bowie ended up a remar...

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The Blockbuster Effect

When you go online to look for entertainment there's a stocked-up library of content on various streaming platf...

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